deaf hoes and jesus navas deluver the fancy material

we are back, we are licentious, we are rough and ready with studio 89 s second release... ready to spread into a clubhouse near you. a sizzling charge of hot and heady lust. sexy beats for you fancy freaks. we are your ship master, cruise with us into the depths of your dreams.

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

2x12 inch lp gatefold with liner notes, 180gr vinyl. funky chimes is a two-hour collection of excellent and unique grooves. it contains 27 of the most interesting yet long forgotten belgian dance tracks from the seventies.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller. willkommen bei studio one, der university of reggae. mit studio one scorcher, studio one groups, studio one soul 2, studio one kings und sound dimension mojo rocksteady bringt das londoner label soul jazz fünf, ursprünglich zwischen 2002 und 2007 erschienene platten neu heraus.

‘fear eats the soul’ is the third release from sordid sound system on invisible inc. his previous two records ‘in a year of 13 moons’ and ‘lux exterior’ have been getting plays from the likes of andrew weatherall, manfredas, john talabot, idjut boys and thomas von party. describing ‘fear eats the soul’ as a concept ep made by four imaginary bands from detroit, new york, paris and munich, sordid sound system says: “i’m pissed off with passive aggressive shabby chic artisan boutiques besieging my studio and complaining about the noise, i’m pissed off with coked up yuppy hipsters in land rovers taking over my neighbourhood with fancy restaurants with names that sound like fucking law firms, i’m pissed off at the resurgence of the far right and creeping fascism, i’m pissed off with self sabotaging english and american voters and the neo liberal corporate elites that have pissed away opportunities and alienated them, i’m pissed off with modern recording technology creating a sea of homogenous unimaginative beige bullshit, and i’m really pissed off that my favourite drummer jaki leibezeit is dead, but apart from that it’s all good, enjoy the new record.”

10th anniversary reedition of pedro winter classic, if we remember correct it was his first release ever.

rico puestel is in charge for our cocoon recordings 144th release. rico is an producer animal who released more than 100 tracks & remixes since 2005 under various project names such as dinamoe, central scrutinizer and of course under his main moniker rico puestel. the enormous amount of productions shaped ricos knowledge and taste and his new cocoon release neyst and enokid seems to be the logical result of his long journey through the techno-universe. puestels style is very unique and merges elements of dark and hypnotic mainfloor techno as well as orchestral sounds and even industrial elements. neyst is the perfect hypnotic and dark techno circle that keeps on progressing and building up into sheer madness. no fast food, no leightweight, this is heavy techno business! enokid comes with a little more of a chicago house vibe however it is again still deep in puestels very own style. we especially fancy the crazy break in the middle with the spaced out room effect part and the melody coming in after the break. as stompy and musclepacked this track is, it still seems to be very musical and deep at the same time - what a trip! this one demands a good and proper sound system, well what other cocoon release doesnt?

ritual chants : beach !!
ritual chants is a stellar earthbound and outer space odyssey spanning 3 chapters, respectfully embellishing psychemagiks taste and passion for the wonderful, the sublime and very often unusual.

restore label owner jean claude gavri join forces with 2020 soundsystem julian sanza and dave gerarrd (chopshop, get down edits), resulting a fancy essential dj friendly four tracker, limited edition heavy 180 gram vinyl.

burnski and jon woodall s constant sound label continues to reach skywards following the formers essential dna album, welcoming the ever-reliable laura jones and stephen brown into the mix with a collaborative effort that matches club precision with machine soul in equal measure. -crystalline- works around detroit motifs to great effect, while -concave- ramps up the swing factor for a spacey number that gets fancy with the fx. -pv- too does a fine job of making the synths ping around the mix with a jammed-out feel, while endian delivers a remix of -nothing lost- that leans on berlin techno dynamics while injecting some colour into the situation.

jonas friedlich, better known through mistress recordings and carl gari, releases his first solo 12- on molten moods. the versatile 4 track ep starts with the rather straight -bo s breakfast- that begins with a polyrhythmic 303 bass line leading into a catchy garage-ish chorus, kicking in out of a clear sky but fittingly. -bus driver- is a wicked trip, the combination of the long acid build up and a nicely chopped vocal bit is irresistible. a proven, tested (and molten moods certified) club banger, regardless of its rather untypical breakbeat. track number 3 called -praise your name- aces groove through perfectly cut vocal samples and a fancy reference to 90s hip hop and drum n bass aesthetics. the next and last piece on the record is the eponymous -deskjet-, which is inspired by friedlichs conceptual sound art installations using printers. here rather restrained synthie lines are underpinned by a powerful kick and psychedelic tape delay noises. the 12- vinyl is handstamped on both sides. mastered and cut by scape mastering. artwork by paul bernhard.

colognes well-liked party imprint feines tier kicks off its in-house label with johannes klingebiels latewood ep. johannes provides four original tracks with a capital o! on the a-side the title track with its steaming pads and melancholic synth lines is almost too sweet to be true, while kontakt gets the house party started, serious drum machine work-out and synth horns all inclusive! the flipside delivers the trippy cyprian, revealing that piano sampling still can feel fresh and inventive, and trancy fancy, where nomen est omen.

28 john holt klassiker in einem superdeluxe 2lp vinyl-set mit klappcover und bedruckten innenhüllen. die geschichte des sängers wird in ausführlichen liner notes von harry wise in anspruchsvoller form behandelt und durch viele tolle fotos, teilweise unveröffentlicht, abgerundet. für die produktionen ist alleine der produzent bunny lee mit 16 tracks verantwortlich, sowie the paragons (4x), phil pratt (2x), joseph hookim (2x), henry junjo lawes (3x) und 1 x lloyd james.

no fancy business class air lounge mumbo jumbo this time, no.8 just got clearance for take off and this one is first and foremost for the pilots. the a side hits you loud and direct like a cessna centurion engine, accessible, reliable and just damn good in the air. now if b1 is some kind of an adventurous but gentle doppel-decker, manoeuvrable­ small craft, then low altitude b2 breaks the cloud cover to take you on that magic night-flight you might later be uncertain if it ever really happened. limited edition - vinyl only !

with that combinded choice you don´t have to hesitate. put your sound system to the max and enjoy the sounds. hesitate ep is number 80 on stylerockets, the berlin imprint of the kiddaz fm music group. dompe, berliner-of-choice since 2011, shows once again his multifaced talent being a producer. hesitate is the warmup on the ep and makes you fancy for more stuff like this. with rosey he chases another techhouse cutie. brilliant bassline, a laconic vocal and suddenly your start to move. we go on with warehouse blues, snapping the fingers on our way to ...

over the course of just four releases, the palms & charms label has quickly established itself as a purveyor of fine original music, enjoying support around the globe. their fifth release sees tokyo magician max essa drop one of his hottest eps to date. have you ever wondered what it would be like to be truly footloose and fancy free? have you ever dreamed of another way of life - free from the constraints of your current existence? well, here it is? the blame it on rea ep will elevate you to a completely new way of understanding - not just of yourself, but the world! forget the trials and tribulations put upon you by the man and enjoy the beauty and wonder proferred by the man – max essa. available for a limited time only - seek and ye shall find!

first time ever re-issue. born and raised in the musical magical cauldron of washington d.c., wicked witch combines elements from alchemical mentors parliament, funkadelic, sun ra, esg, run dmc, james brown and jimi hendrix to cast a crazed spell on the innocent listener with a evil mass of machine-funk with lashings of rhythm and blues, punk funk and fusion. trained by masters at the duke ellington school of the arts, wicked witch is in full control of his art he plays all, knows all, tells all. his message will not be denied. believe your ears - believe your eyes: the wicked witch does indeed exist

why does my mind circle around you? why do planets wonder what it would be like to be you? this time vakula explores the universe of the man who was searching for a world where there were women and children obeying the moon but faced the reality with its wisdom, and fever, and sickness. and faced it too soon. the music and voices are all around us. choose, the croon, the ancient ones. the time has come again . the album is vakula s thoughts in time and out of season dedicated to morrison, the poet, the musician, the soft mad child, the great man. enter again the sweet forest, enter the hot dream, come with us. everything is broken up and dances*

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

notorious hns-x strikes back with two bangers. if you like good, plain club food without added fancy go for it. if you like it basic, juicy and straight to ze point go for it. you like basslines with a ravey touch? go for it. you know what: go for it anyways. unlimited vinyl only. whats your name darlin?

limited tape release with download code included.
she is adventurous. she is restless. she is on the move. the seventh heulsuse by berlin-based tony casanova and mirco niemeier goes by the name *laikas journey* and includes a stunning kevin over remix. both originals are pure dancefloor-oriented firebugs that boast with unique rhythms and some extra fancy basslines. you better beware - laikas rocket was just launched.

ot one for elaborate biographies or fancy press packs, twentysomething year old italian producer thomas a.s. simply prefers to let his music speak for him. and when you are constantly releasing tracks like the ones that make up his upcoming north lake ep, a string of fancy words are the last thing you need.

limited copies, analog lovers hinode offer three distinct soundspaces to lose yourself in and never come back. linear equation drifts in the same heady atmosphere as stls lighter flights of fancy, suspended loosely in a pillowy cloud of pads and oscillating bass thats perfect for warming up the senses. the detroit thump of cubic parsec sees that simmering tension break through into outer space, its deadened kicks and rushing snares evoking robert hoods seminal nighttime world vol 1. lastly, hinode slow down and stretch out for the sensational time travel, an ultra-refined and precision-controlled electro killer that will take afterparty dancers on a trip beyond.

the km editions series, admirably helmed by the mysterious keyboard masher, has always been one of the more interesting re-edit/rework labels. past installments have touched on krautrock, disco, balearica, funk, italo and what can only be described as electronic oddities. this sixth volume offers up three more impressively remixed, overdubbed and reedited gems. theres naturally much to admire, not least the omd style woozy synth-pop of stolen shapes (stealing rework), which should tickle the fancy of anyone of a balearic disposition. the same can be said about the immersive, sun-kissed pianos and shuffling grooves of -astral playground. there s also a chunk of silly but, perversely, rather good french cod-reggae in the shape of le cod-, arguably our pick of a strong bunch.

after being returned from his abduction by aliens from the hidden planet nibiru, dj overdose was given an alien synthesizer the haex-hrll as a thank you for all the cerebral research the aliens did on him. on returning back to earth all dj overdose had to do was finish the 6 tracks the aliens had started to work on, which became this ep. straight forward techno hop electro funk without any fancy-pants pretentious hooha. its like a black and white movie which makes you think why the hell is there colors anyway?! after completion, the only record label he could imagine being fit for such rawness would be viewlexx... and so here it is.

a couple of years ago, the young italian producer known with the name of shinoby got in touch with parris mitchell and started collaborating with him. in a very short time one of the tracks they wrote together was released along the remaster of -all night long-on wicked bass, and another one he wrote on the juke joints vol. 2 ep on deepmoves. istheway is the name of the label he founded to release the music he has been producing in the shades of verona, focusing on the music itself and not wasting time and efforts on fancy, superfluous stuff. on the first release of the label, his lively and solid dancefloor oriented tracks has been remixed by the analogue cops (restoration records) and the detroiter mgun (underground resistance) who have further modeled an essential combination of late night cuts with their trademark basement edge. vinyl only!

a real thick baseline - a fabulous ep start. of the same title dragon fly comes along with dizzying, but best placed sound effects und a bashing buildup. we love listening to that great sound. neck breaker - not neck breaking but with a most impressive vocal and creative seeded sound expericence. makes us fancy for more like this. and bäms - the ep continues with a track called roll on. quite deep and initiated with a cool vocal - very british - the composition ist a bit more funny - a good mood sound creates an appetite for more. we are hot for the release on stylerockets.

like many of the greatest italo-disco records, tony espositos 1983 double a-side je-na/pagaia is ridiculously rare. put it this way: if you fancy nabbing yourself an original copy, it will make a serious dent in your wallet. this welcome reissue presents both tracks in their original 12inch glory, mixed with clubs in mind by mariano boncaldo of klein & m.b.o fame. its the a-side thats arguably the pick of the pair, featuring as it does a balearic-friendly blend of dense, bongo-laden rhythms, tribal chants and delay heavy guitars. theres a bit more of a hazy disco bounce to pagaia, which sounds a little like a long lost tullio de piscopo record, all jazz-fusion scat singing, sunny horns and shuffling rhythms.

finest deep jazzy house tunes, ltd to 300 copies worldwide, no repress

balearica brings the quality yet again with another stunning selection of unearthed eclectic gems. first up is one of the the all-time balearic/cosmic classics, the highly sought-after *i love you dancer* from french disco group voyage, a wonderfully funky floor-filling paean to fancy dancers and sweet romancers - total killer! followed by the dreamy instrumental version of italian crooner vasco rossis *una splendida giornata*, a beautiful sweeping slo-mo chugger. another instrumental opens the b-side, this time fonda raes in-demand dub of *heobah* with its relentless tripped-out synth groove. and lastly we have michael cretus little-known cosmic delight *flying to heaven*, a glorious slice of laid-back pop paradise hidden away on the b-side of a super-rare 1978 italian 12 inch. essential collection for lovers of the balearic sound.

supernova is a platform designed to edit material timeless, original and devoid of any influence. supernova are totally against the music everywhere, made here by that, every idea is unique and unrepeatable. for us, the idea this above the sound. dont pay attention to fashion or trends. art to be art, not be conditioned, it must be pure and honest. have the opportunity to create our fancy, be free and original, that is art, that is supernova.

another two-track mysterium by a well known hip producer. strike up your dancefloor and spread happiness all over with these early house cutz made for screamy girls, fancy boys and everything in between. b-b-b-bass! h-h-h-hands-up! already heavy plays by dj dis-cocks as they say. vinyl only it is.

second part by joss moog for his forthcoming album.

deep shit is brought to you by jack savidge of friendly fires and edwin congreave of foals. deep shit is the newly founded dj collective, promotor and vinyl only record label based in the capital with a celebrity status. the label was founded by indie superstars jack savage of friendly fires and edwin congreave of foals as well as adam parylak. managing to work a glitzy electro pop into their day jobs in the underbelly the trio have a fancy for the deep sounds of future bass music. the debut release from the deep shit label came last year from congreave with the afterhours moody house monster heal, including remix by a1 bassline.

najem sworb makes his debut on the clone basement series! known by some for his fantastic release on the now defunct ai records, unknown for most. a release that shows the core of the clone basement series, nothing fancy, trendy or hype. just the sincere basics of techno that make people gather in dark basements for over 2 decades now. an almost ritual tradition of techno music. primitive and refined at the same time!
includes free digital download.

die 2008 in berlin gegründete band bildet heute ein sechsköpfiges ensemble mit zwei kreativen wegweisern: louise gold, sängerin und songschreiberin, und hans quarz, posaunist und arrangeur. die stücke schreiben sie gemeinsam - eine spannende mischung, denn hans quarz kommt vom jazz und louise gold aus der popmusik. ihr gemeinsamer sound bildet ein ganz eigenes genre: pop in cinemascope.<br >wertiges 180g vinyl im schweren hardcover mit exklusivem bonus track plus cd-version des albums & postkarte.

handnumbered repress, ltd to 100 copies! vinyl only! the emotiv rational machine is in full effect and gives the unnesessary things no attention and focussing only on its own distinct goal, which is to make you dance. no fancy melodys, which are distracting you from being one with the bass and the 4 to the floor. no distraction from overloaded ego spilled arrangements. no tellin you who is the ......! you know that talk from your favorite blog. let the maschine do the work. strictly limited handstamped vinyl with sticker.

vinyl only! the emotiv rational machine is in full effect and gives the unnesessary things no attention and focussing only on its own distinct goal, which is to make you dance. no fancy melodys, which are distracting you from being one with the bass and the 4 to the floor. no distraction from overloaded ego spilled arrangements. no tellin you who is the ......! you know that talk from your favorite blog. let the maschine do the work. strictly limited handstamped vinyl with sticker.

les fils du calvaire are hybrid, between fancy french pop, decadent club music and outgoing cabaret. pop extrapolation of dop, they have sense of show, phrase and mixture.

with releases under a range of pseudonyms (orpheus, sir leon greg, nite vision) and support for his previous explorations of depth coming from the likes of john heckle, dj deep, aroy dee, chicago skyway and steffi to name but a few, once again perseus traxx unashamedly shows his nature on this release. thoughts, feelings and emotions are by far the most important influences on music, and capturing moments then translating into a musical form he once again documents the more personal elements of his life, taking you deep. perseus weaves a rich tapestry of emotions and desires using heavily weighted bass tones and skipping percussion that thread together with expansive strings and pads. these are married with more detailed melodies and modulated tones that shimmer in and out of the psyche as he uses analogue boxes and their warmth like a loom. this collection of music ranges from the deep and dreamy, to total transcendence within steady dance floor rhythms clothed in a warm yet spacious fabric of sound. deep house, sometimes with a real sense of urgency that juxtaposes with it is inherent flights of fancy.

rooted in disco sensibilities and smeared with a hint of that classic roule sound, jolly mare serves up an ep that will tickle the fancy of both late-night groovers and prime-time stompers alike.
dj support: yamwho?, leftside wobble, james johnston ...

quickly rising on the horizon of the london electronic scene, croydon-based deft joins forces with wotnot music for an enchanting two-track ep with three beastly remixes. while driving dancefloors wild with an energetic and fresh brand of ghetto-tech and footwork, defts production on this release betrays his hip hop origins in a whole new way, with seductive beats, g-funk-esque top lines and unlimited swagger.

big with: dubfire, tobi neumann, reboot, sascha dive, matthias tanzmann, karotte, robert dietz, joris voorn, monika kruse, livio & roby, pirupa, leon, tripmastaz, ilario alicante, slam, shinedoe, pele, m.in, federico molinari, lauhaus, h2 and many more... two young talented guys from spain, giving their debut on cécille. after releases and remixes on 8bit, amam, brise and kling klong the two friends and partners miguel lobo and ramiro lopez spend three tracks on cécille numbers. timba comes with a massive moving beat and a fancy interruption sound. the lady on coming hard tells you her story and plans and letters from the other side is catching you with an easy melody and groove like a chilling summer pre warmup heater hope you like and play numbers

a new label from some of the decision makers at juno arrives in the shape of love interest, promising a release schedule that eschews genres in favour of seeking out international talent that piques their fancy. minneapolis-based nyteowl is at the helm for the first release with >love of mine<. this clear vinyl twelve inch edition sports two fine remixes from boy 8 bit and mighty mouse, which naturally take the 80s swagger of the original in differing directions. boy 8 bit calls on all his studio trickery with a remix that constantly shifts sonically before dropping into an excellent final detuned synth passage, whilst nu-disco troupe mighty mouse are on soaring form, adding some meat to that beat, whilst nyteowls vocal hitches a ride on an upwards arpeggio.

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

striking out in june 2011 with his debut ep >in your gut like a knife< - a neat summary of his electronic excursions at that point - the beautifully artworked 12 inch acted as a portal into a world of daydreams, tumbling into shadows and embracing luminescence simultaneously. breeding surreal headphone-friendly landscapes, he struck a peculiar and delicate balance between otherworldly and familiarity, at times sneaking a sly glance towards the dancefloor but mostly conjuring a sense of longing and rye melancholy. ticking with a distinctive bounce and rhythm, it comes as no surprise that gang colours was raised on the bump and grind of uk garage. taking a step back from chopped n screwed rnb vocals and the swing of ukg, >the keychain collection< explores more sombre recesses within gang colours palette. the scattered technicolor synth melodies that characterised his ep are present, but softer, cosier even, weaving betwixt and between forthright piano chords and wills own vocals. >the keychain collection< eloquently captures gang colours first steps on a long road.

atlanta producer distal teams up with vancouvers hxdb for >booyant<, an absolutely killer collaboration that fuses the best elements of both producers in fine style. taking a 136bpm tempo and bridging dubstep with a cutting edge bass-heavy house vibe, the duo pull together an intimate dancefloor bubbler that fans of night slugs and swamp 81 will most likely feel quite at home with. awash with lush synths and gurgling sound bytes, >booyant< is a quality track to tickle many a fancy. flip to side aa for distals solo effort >amphibian<, an excellent piece of 140bpm machine music, whirring and clicking in a roughly similar vein to instra:mentals >rift zone<. experimental dubstep pressure for the open minded, guaranteed future-proof. distal will release his debut album >civilization< on tectonic later in the spring of 2012.